Aszure Barton
Les Chambres des Jacques explores the individual in all their complexity, through an intimate and expressive dance where Aszure Barton highlights the fragilities, tics and humanity of the performers.
Les Chambres des Jacques offers a form of dialogue between the choreographer and the dancers, an almost interactive exploration focused on a human dimension that oscillates between the everyday and the grotesque, between the banal and the unexpected. A choreography acclaimed by critics and audiences alike during its recent international tour.
To allow this "real life" to blossom in the bodies of her dancers, Aszure Barton says she has transformed the dance studios into a true sanctuary of peace, madness or struggle, a place of all possibilities, from which emerges a material that is often raw, authentic, both intimate and universal.
Exploring the individual in all their facets and down to the very core of their animal nature, Aszure Barton weaves her tapestry from the small personal quirks observed haphazardly between the dancers' movements, or from the many details that make up their personalities. These minor imperfections pay homage to both the beauty and the fragility of being.
“A dance that cracks the veneer of civility and good manners. […] Linking a rigadoon from Gilles Vigneault to Vivaldi, passing through gypsy and klezmer music, would lead anyone to disaster. Ms. Barton and the dancers of Ballets Jazz Montréal make it a feat.”
- Le Devoir (Montreal, Canada)
"A sensitive work, imbued with gentle madness."
- La Presse (Montreal, Canada)
"An exceptional achievement in the world of contemporary dance. Barton's alarming and utterly original language resonates like a muffled voice."
- The Boston Globe (Boston, USA)
2006
year of creation
36
minutes
10
dancers


Choreography by Aszure Barton
Assistant choreographer Ariel Freedman
Music by Gilles Vigneault, Antonio Vivaldi, Les Yeux Noirs, The Cracow Klezmer Band, and Alberto Iglesias
Costume design by Anne-Marie Veevaete
Costume manufacture by François DeSerres
Lighting Daniel Ranger
Photograph by Grégory Batardon
World premiere Albany, USA, October 2006
Duration 36 minutes


