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Les Chambres des Jacques explores the individual in all their complexity, through an intimate and expressive dance where Aszure Barton highlights the fragilities, tics and humanity of the performers.

Les Chambres des Jacques offers a form of dialogue between the choreographer and the dancers, an almost interactive exploration focused on a human dimension that oscillates between the everyday and the grotesque, between the banal and the unexpected. A choreography acclaimed by critics and audiences alike during its recent international tour.

To allow this "real life" to blossom in the bodies of her dancers, Aszure Barton says she has transformed the dance studios into a true sanctuary of peace, madness or struggle, a place of all possibilities, from which emerges a material that is often raw, authentic, both intimate and universal.


Exploring the individual in all their facets and down to the very core of their animal nature, Aszure Barton weaves her tapestry from the small personal quirks observed haphazardly between the dancers' movements, or from the many details that make up their personalities. These minor imperfections pay homage to both the beauty and the fragility of being.

“A dance that cracks the veneer of civility and good manners. […] Linking a rigadoon from Gilles Vigneault to Vivaldi, passing through gypsy and klezmer music, would lead anyone to disaster. Ms. Barton and the dancers of Ballets Jazz Montréal make it a feat.”

 - Le Devoir (Montreal, Canada)

"A sensitive work, imbued with gentle madness."

 - La Presse (Montreal, Canada)

"An exceptional achievement in the world of contemporary dance. Barton's alarming and utterly original language resonates like a muffled voice."

 - The Boston Globe (Boston, USA)

2006

year of creation

36

minutes

10

dancers

La Revue Finale 4642 by Sasha Onyshchenko WEB.jpg
La Revue Finale 3262 by Sasha Onyshchenko WEB.jpg

Choreography by Aszure Barton

Assistant choreographer Ariel Freedman

Music by Gilles Vigneault, Antonio Vivaldi, Les Yeux Noirs, The Cracow Klezmer Band, and Alberto Iglesias

Costume design by Anne-Marie Veevaete

Costume manufacture by François DeSerres

Lighting Daniel Ranger

Photograph by Grégory Batardon

World premiere Albany, USA, October 2006

Duration 36 minutes

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