// Rodrigo Pederneiras
Based on original music by the Frères Grand, with a wink and nod to traditional Indigenous music (throat singing, the sound of waves, the rustling wind, the cries of wild geese, rumbling thunder), this new piece for BJM by Rodrigo Pederneiras is an ode to resilience, a discreet tribute to Aboriginal Peoples and their musical and cultural legacy. Underlying the work are themes of confrontation, the clash of cultures, power struggles between the dominant and the dominated, and what it means to belong to a community. Direct, genuine and raw, the dance is performed vigorously, at full throttle. The ensemble dances as a single entity, suggesting by the force of its impact the idea of escape or flight, a human migration, anxiety swelling with each new movement. Gathering momentum as they are carried away by the implacable rhythm of the music, the dancers convey drama and strength, a sense of urgency, of pain and separation, surging relentlessly toward a point of crisis until the excess of impulse and tension is exorcised, reaching at last a state of grace.